By Tzachi Zamir
The e-book engages questions of theatrical suggestion, the actor’s “energy,” the adaptation among appearing and pretending, the detailed function of repetition as a part of stay appearing, the viewers and its appeal to appearing, and the original importance of the actor’s voice. It examines the embodied nature of the actor’s animation of a fiction, the breakdown of the excellence among what one acts and who one is, and the transition from what one plays into who one is, growing an interdisciplinary meditation at the courting among lifestyles and acting.
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Extra info for Acts: Theater, Philosophy, and the Performing Self (Theater: Theory/Text/Performance)
Acts: Theater, Philosophy, and the Performing Self (Theater: Theory/Text/Performance) by Tzachi Zamir
Categories: Stage Theatre